Exxon Mobil Financial Anaysis - 5230 Words

Table of Contents 1. Introduction 1 1.2 Corporate Background 1 a. Industry 2 b. Products 2 c. Target market 3 d. Competitive environment 3 2. Income Statement Measures and Discussion 5 a. Exxon Mobil Income Statement 5 b. Net Cash Flow 6 c. Net Operating Profit after Tax (NOPAT) 6 d. Operating Cash Flow (OCF) 7 2.1 Balance Sheet Measures and Discussion 8 a. Exxon Mobil Balance Sheet 8 b. Net Operating Working Capital (NOWC) 8 c. Total Operating Capital 10 d. Net Investment in OPC and Gross Investment in OPC 10 2.2 Free Cash Flow (FCF) 11 3. Financial Ratios 12 a. Quick ratio 12 b. Debt to total asset ratio 13 c. TIE ratio 13 d. P/E ratio 14 e. Market/Book Ratio 14 4.†¦show more content†¦Exxon, Esso, and Mobil are three of Exxon Mobil’s brands that provide fuels, services and lubricants to fulfill personal and business needs. Their products drive modern transportation, power cities, lubricate industry and provide petrochemical building blocks that lead to thousan ds of consumer goods. c. Target market Exxon Mobil being the world’s largest publicly traded international oil and gas company has a very large target market because they supply a high percentage of the people who use energy on a daily bases. Exxon Mobil’s customer mission statement is â€Å"Success depends on our ability to consistently satisfy ever-changing customer preferences. We commit to be innovative and responsive, while offering high quality products and services at competitive prices.† d. Competitive environment The Major Integrated Oil and Gas industry is a very competitive environment. There is no room for relaxation, for a company to be at the top, they must always have to strive to make their product or product better. Below is a list of the top ten competitors of Exxon Mobil. As you can see from the chart below, Exxon Mobil is the leader in this industry and is the largest publicly traded international oil and Gas Company. Exxon Mobil’s Net income compared to its number of employee’s is where one can see how much better

Research Methods Of Health And Social Care - 1726 Words

Research Methods in Health and Social Care Throughout research in Health and social care settings, there are many implications with the research, which takes place. Many research methods include ethical issues which have to be considered when conducting research. Ethical issues need to be considered when research is being conducted, in all methods of conducting the research information. One method of research is using interviews. For example, when using interviews in a care home, when conducting research, many ethical issues can be raised. Interviews not only take place face-to-face, but also can happen on the phone, online, through text messaging, using a video messenger and though social media. Interviews are a very useful way of collecting information because a wide range of detailed information can be collected at a large quantity. There are two types of interviews: structured or unstructured. Structured interviews are where the interviewer has already pre-planned the questions that they will use in the interview. This is useful because the interview can be repeated, as the questions are standardised. Unstructured interviews are not made up of prepared questions. The interviewer will ask more open questions about board topics and then use follow-up questions to gain more answers in further detail. This method of interview is time-consuming however it enables the interviewee to answer questions in more detail and depth. It is possible that audio-recordings can beShow MoreRelatedResearch Methods in Health and Social Care2462 Words   |  10 PagesResearch Methods in Health and Social Care Critical review of quantitative research Majid,S.Foo,S.Luyt,B.Ahang,X.Theng,YL.Chang,YK.Mokhtar,IA.(2011) Adopting and evidence-based practice in clinical decision making: nurses’ perceptions, knowledge , and barriers. Journal of the Medical Library Association 99(3) PP229-236. 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Presentation and Role of Religion in Chronicle of a Death...

Explore the Presentation and Role of Religion in Chronicle of a Death Foretold Chronicle of a Death Foretold is set in Columbia, where the extreme theocentricity means every character’s actions are intrinsically affected by religion. Whilst Marquez also explores much deeper religious issues, the action of the novel centres on the God-fearing townspeople allowing the murder of Santiago Nasar, which clearly contradicts the Christian commandment ‘Thou shalt not kill’1 Since female virginity is so venerated in the Catholic faith, when Santiago is accused of taking Angela Vicario’s virginity, her life would be worthless without it, and Angela’s brothers are charged with redeeming her honour. The novel can boil down to the assertion that a†¦show more content†¦The reader will also discern the scores of parallels able to be drawn between Santiago and Jesus Christ, making Santiago a literary ‘Christ-figure’. Both were somewhat outcast, in Santiago’s case because he was not a native Columbian. This makes it easier for the town to allow Santiago’s death, and make him the scapegoat. The town’s unwillingness to save Santiago is similar to the Jews choosing to have Jesus killed rather than a murderer. In both cases, those who had the chance to save the innocent man felt terrible afterwards. Jesus had foretold his own death, and although Santiago was blissfully unaware of his demise until it befell him, the narrator states ‘never was there a death more foretold.’ In dying for the sake of Angela Vicario’s honour, Santiago is sacrificed for the sins of others, which was also Jesus’ purpose in dying. In addition, the seven fatal wounds Santiago suffers probably represent the Seven Deadly sins. Even the way in which Santiago was murdered is akin to the Romans’ killing of Jesus. â€Å"The knife went through the palm of his right hand and then sank into his side up to the hilt.†8 The Romans ensured their victims were dead by stabbing them in the side, their hands having been pierced by being nailed to the crucifix. Incidentally, the Vicarios’ knives â€Å"kept coming out clean†9, which denotes Santiago’s innocence. This is amplified by his Christ-like appearance that day, dressed in white. Finally, since Santiago eventually dies in theShow MoreRelatedChronicle Of A Death Foretold1866 Words   |  8 PagesReflective statement: Chronicle of a Death Foretold The expectations of society and status quo are an important influence in Chronicle of a Death Foretold. The various interactive oral presentations that my classmates presented discussed an array of topics which included roles of women and machismo, specifically how women were forced to accept the unfair social expectations placed on them and how men were expected to exemplify macho behavior. My classmates’ presentations also helped me to gain

Theme of a Dolls House free essay sample

While Nora uses general descriptors indicating a lack of definite knowledge Torvald delivers commands in a belittling way, a constant affirmation to his wife (and himself) that he is the man of the house, and therefore, he believes, entitled to control. Ibsen further demonstrates this through Nora’s desire to have some pennies, some financial power of her own. It is made clear in this conversation that Torvald has power over the household assets and through his reluctance to ive Nora any money of her own and his disparaging explanation as to why, Ibsen further sets up the imbalance in power. However not all of the opening act focuses on Nora’s subservience, for example, the device of the macaroons is used to foreshadow the final climax of the play. The forbidden macaroons, that Nora furtively dines upon behind the disapproving Torvald’s back, is a demonstration that Nora is not completely in acceptance of her lack of power. The confectionery is the immediate manifestation of her desire for some form of power and control. The audience’s perception of Nora as a submissive child-like figure, established by her relationship with her husband, is quickly destroyed by the arrival of Mrs. Linde. The initial balance of power lies with Kristine in this alternate relationship, as Nora appears envious of her individuality and freedom in having no commitments to a family. Yet, when Kristine declares â€Å"You’re a child, Nora† (1565), this catalyses the first revelation of Nora’s actual power to the audience. Ibsen reveals that despite her interactions with her husband, Helmer is well indebted to the actions of his wife, who unbeknown to him, are responsible for saving his life. Nora is ecstatic at the fact that she is able to finally disclose her secret to someone; she then proceeds to declare that she has no need to reveal this to her husband as Torvald is already so devoted and so smitten by her current beauty. It is Nora’s false belief in the power she has over her husband, that when it is shown to be misplaced, she reaches the extreme of deciding to leave for ever. The theme of power and control in the text is not merely demonstrated by one character over another, but also by society over the actions of Krogstad and Torvald in particular. Krogstad simply desires a position at the bank because â€Å"my sons are growing up. For their sakes I have to try to win back as much respect as I can in this town. † (1574) He wants to have power in a society, where someone who has committed forgery and is well known for lying has none. This is further demonstrated by the quotation â€Å"What those spiteful men wrote about him in the paper, lies and slander. He’d have lost his job if you hadn’t been sent to enquire,’ as said by Nora as she warns Helmer of the consequences of firing Krogstad. This implies that public opinion also has a form of control in determining what the characters created by Ibsen can and can’t do. Similarly â€Å"if it comes out that the new manager changes his mind when his wife demands it,† as is said by Torvald, shows that society believes that giving into the desires of a wife is a sign of weakness, a sign of a distinct lack of power placed in the influence of a female party. The best demonstration, however, of society’s power over the characters is witnessed in the climax of the play. When Torvald is trying to justify his out-burst at Nora he declares ‘no man sacrifices his honor for the one he loves. ’ Of course, what Helmer means is that he didn’t want to become stripped of all power and respect in society the same fate that Krogstad had suffered. Helmer was not willing to give up this power and respect that his post as bank manager entailed and, bound by this, he was unwilling to perform the miracle Nora had so desired. Other then the power of society over characters Ibsen also introduces the power of law and necessity as minor themes in the play. Mrs. Linde makes no denial of the fact that she married not out of love, but out of necessity to provide for her dying mother. By telling Nora of how little emotional commitment she had to her husband this shows Nora that, when the miracle doesn’t occur, she has no reason at all to stay with Torvald. Krogstad’s use of the power of the law to threaten Nora is also a commentary of Ibsen on society at the time. Nora’s belief that the reasons for which she forged the contract would be enough to save her from punishment (‘surely there must be laws about that,’) is possibly Ibsen’s way of speaking out against the lack of compassion the law shows for those in desperate need, or even against the fact that the power of law is seemingly far greater than the power of love between members of a family. The final element, which is concerned with the issue of power, is its transition between characters throughout the play. Initially Nora believes she has power over her husband in two forms. One is his desire for her as, in her own description, she is ‘such a pretty little thing,’ and two, is the debt of gratitude he owes her for saving his life. By the conclusion of act three, it is clear that Nora has gained the power of independence, but the other two are no longer existent thanks to Helmer’s outburst and Krogstad’s letter. After shedding her fancy dress and re appearing Nora states ‘I’ve changed,’ and from this moment on the infantilism she formerly showed and her inflated self-opinion leaves, and is replaced by a resolute decision and a lucid acceptance of her responsibility. This is almost a complete contrast to the power shift experienced by Torvald. Initially he views his wife as a mere possession, a toy doll which he is able to show off at parties to the admiration of fellow members of powerful society, ‘curtsy here curtsy there – and the vision of loveliness was gone as they say in fairy tales. However when this ‘possession’ of his shows any sign of independence and when he realizes the consequences of her leaving, he is forced to make a series of desperate appeals to Nora’s religion, morals and marital duty in order to attempt to persuade her to stay. The theme of power is a central issue in Ibsen’s ‘A Doll’s House. â€℠¢ Through the presentation of power in the home, the power of society and the transition of control between characters, Ibsen is able to create a commentary on the rights and values of a society devoid of many gender equalities that are present today. The change in Nora, from being under the power of Krogstad and Helmer to eventually leaving the house and the children was a ground breaking power shift to portray in the social setting of late 1880’s and it is due to this radical shake up in the community’s view on the power of independence that â€Å"A Doll’s House† became the most significant piece of Scandinavian theatre of all time.